一 | 对于快递员、外卖骑手、网约车司机来说，订单就是工作节奏，早出晚归就是生活日常。 Costume designer Smriti Chauhan is one of the creative forces behind Ranveer Singh’s look in Dhurandhar. She says the film’s now-viral bearded avatar was born from months of iterative work, collaboration and a deep integration of costume with hair, makeup, lighting and performance. In an exclusive conversation with Filmfare, Chauhan breaks down the meticulous process, from conceptual sketches to 40-metre salwars and silicon jewellery designed to survive high-octane action. Region, story and technical precisionChauhan reveals that the idea of a full beard was rooted in the character’s geography and cultural background. “We knew there was going to be a beard because of the region he comes from, what he’s performing and who he is,” she says. The hair and makeup team played a decisive role as well. They dictated the skin tone, lens colour and texture choices that needed to sync with her costume palette. “Costume and hair and makeup cannot be separated,” Chauhan emphasises. “The look comes alive only when all three, costume, HMU and lighting - work in harmony.”Ranveer’s inputs and a sharp eye for detailChauhan was nervous as she met Ranveer Singh for the first time while working on the movie. However, she says that the actor immediately put her at ease. But Singh was far from a passive participant. He dissected materials, cuts and accessories with precision. He’d ask, ‘Why linen? Why not silk? Why this jewellery? Why this structure?’ According to the designer, his questions pushed her to have solid answers.Smriti also shares, “And when you have the answers, it gives you more clarity. So with Ranveer, he ensured that he helps the two of us get clarity on the character. He also added some technical bits. He asked me to add a wire on the collar so that it stays like that when he is moving around.” Ranveer’s physical transformationOne of the biggest challenges for Chauhan’s team was designing for a body that kept changing. Ranveer bulked up for a portion of the film and then shed weight rapidly for another. “We had to ensure that with every change in his body, the clothes didn’t show that change... The look had to stay consistent,” she shares.The character evolves from a street nobody to someone big. The costumes had to mirror his transformation. Initially, his look is rooted in ruggedness. “So all of this came together working very closely with him. We understood which materials are working the best and which is looking rugged. His entire journey in this film is like that of a nobody becoming somebody, like really big. So that journey itself was grand.” The nightmare of action-friendly jewelleryLater, as the character rises in stature, accessories become key. Ironically, Chauhan had laughed off Ranveer’s early questions about accessories because of the heavy action sequences. But he persisted. “Cut to the first sequence in the teaser - he is loaded in accessories. I can tell you this, I’ll throw a rug on him and he’ll carry it with perfection. The next thing you know is that we have added so many accessories on him,” she adds.As the film is packed with lengthy action sequences, some shot over 10 to 12 days, Chauhan’s team had to create silicon jewellery that looked real but wouldn’t injure the actor or break under impact. “It was a nightmare but became necessary.” The Balochi salwar challengeOne of the film’s most technically challenging pieces was the traditional Balochi salwar. The authentic garment uses 30 to 40 metres of fabric, which is impossible for action scenes. Instead, Chauhan’s team created prototypes using 17 to 20 metres. They experimented with fabric weight, fall, pleats and movement. “We kept making so many prototypes. When he wore it, it looked less; when we spread it out, it was huge. Overall, it was a massive learning experience,” she recalls.Months of prep, presentations and look testsThe team spent two to three months preparing Ranveer’s looks. They went through six different presentation decks and multiple iterations for each phase of his journey. Three comprehensive look tests were done even before shooting. Moreover, sudden scheduling changes accelerated everything. “We thought we’d shoot in October, but suddenly the shoot got pulled to July. We were like, ‘What?’ But luckily we had done early homework,” she recalls.The moment Ranveer called her a ‘Rockstar’Chauhan recalls one of her most overwhelming moments when Ranveer looked at the first major look test and told her he’d “never seen this level of detailing.” “Coming from someone who’s worked with the greatest designers worldwide, it meant the world. It pushed me to raise my own bar,” she says.Despite the scale, the pressure and the physicality of the film, Chauhan says Ranveer’s collaborative nature made the process smooth. “He is the best team player I could have asked for. His encouragement, his curiosity, his involvement - everything helped build the character’s world,” she quips.Also Read: Sara Arjun gives Dhurandhar co-star Ranveer Singh a moving tribute as she shares BTS photos。
二 | “顾生计就顾不上娃”成了不少新就业群体家长共同的无奈。而石家庄市裕华区建华南街道方文社区推出的免费暑期公益托管班，彻底把新就业群体暑期看护难的揪心事变成了暖“新”事。
孩子在社区工作人员的陪伴下制作手工。长城网·冀云客户端记者 闫思宇 摄8月13日上午，记者走进方文社区公益托管班，室内秩序井然，有的孩子在志愿者陪同下静心完成暑期作业，有的围坐一桌体验非遗手工、趣味实践课堂。“我在这上课特别开心，可以和小伙伴一起玩耍，交到了好多新朋友。”托管班的孩子向记者介绍，托管课程内容很丰富，蓝天青年志愿服务队来开展防溺水安全宣讲，手把手教他们自我保护知识，非遗面塑、传统民俗手工十分有趣，端午、八一建军节还会有特色主题活动。
三 | “有老师专门辅导功课，还有各种各样有意思的活动，比一个人在家学习好玩多了。
四 | ”孩子质朴的话语，道出公益托管带来的改变。
五 | 李超杰是一名网约车司机，油门一踩就是一天。“在外面难免惦记孩子，用火用电会不会不安全？作业有没有写完？会不会一直打游戏？”李超杰告诉记者，托管班开办前，只能把孩子单独留在家中，在外干活总悬着一颗心，时不时就会分神担心孩子的安全。
托管班组织户外国防科普小课堂。
六 | 长城网·冀云客户端记者 闫思宇 摄“社区免费托管开班之后，孩子全天有人专人看护、作业有人耐心辅导，每天都有新收获。”如今，李超杰每天早上只需要把孩子送到社区托管班，就能安心工作，他也把社区开设公益托管班的好消息告诉了同事们，“大家都向我打听，还有好几个想搬过来住呢！”“社区聚集大量快递、外卖、网约车等新就业群体，走访摸排过程中，我们捕捉到从业者暑期子女看护难这一共性难题。”方文社区党支部书记、居委会主任苏晓冉告诉记者，以往社区暖“新”服务多聚焦歇脚、饮水补给等基础保障，子女照料是新业态家庭深层次刚需，开设专属免费托管班，就是精准瞄准群众急难愁盼，把民生服务送到劳动者最需要的地方。
七 | 托管班搭建多方协同保障体系，社区社工、党员骨干、师范大学青年志愿者组成看护队伍，配套完善全流程管理制度。
八 | 针对新业态从业者工作时段不固定的特点，社区推出延时托管便民举措，家长因接单无法按时接娃，只需线上报备即可延长看护时长，充分适配灵活跑单节奏。
孩子们展示亲手折制的军帽。
九 | 长城网·冀云客户端记者 闫思宇 摄“托管班自开办以来，共服务社区30多户家庭，其中涵盖新就业群体的家庭在半数以上。”苏晓冉告诉记者，下一步，社区将梳理总结本次暑期托管实践经验，持续联动高校志愿队伍、辖区共建资源，优化课程内容与便民配套服务，推动公益托管常态化长效开展，持续传递民生温度。“家长不用一边奔波，一边忧心孩子安全，孩子们也拥有了专属安全快乐的活动阵地，这正是我们开办托管班的初衷。”苏晓冉说。新闻多一点：为做好新就业群体的思想引导和凝聚服务工作，长城新媒体集团、北京时间有限公司、津云新媒体集团联合策划推出暖新京津冀——京津冀新就业群体公共服务平台。该平台集纳驿站地图、政策咨询、新闻资讯、生活服务、职业发展等功能于一体，通过数字技术与实体服务网络深度融合，可实现6200余个暖新驿站一键导航、海量行业新闻资讯一键触达、多层次生活服务一键通办，为奔波在外的劳动者打造高效响应、温暖相伴的“云上家园”。（长城网・冀云客户端记者 闫思宇 武新杰）。
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